Directed by Dan T. Hall, Asylum: The Lost Footage, isn’t sure what type of movie it is. It has schizophrenic tendencies–switching from documentary-style interviews to found footage to nor...
New on Netflix is a weekly feature appearing every Friday, listing all of the week’s newest additions to everyone’s favorite streaming service–and just in time for the weekend!&#x...
[soliloquy id=”17630″] Welcome to Cult Corner where we dive through the bargain bins to determine if a movie is trash or treasure. Today’s pick… Frank Henenlotter’s Baske...
New on Netflix is a weekly feature appearing every Friday, listing all of the week’s newest additions to everyone’s favorite streaming service–and just in time for the weekend!&#x...
Audition is fairly widely regarded as one of the most disturbing Japanese horror films, if not simply one of the most disturbing horror films, worldwide. And that is a valid statement. Directed b...
A few days ago, we took a look at Five Australian Horror Films to Watch After the Babadook. It garnered quite a bit of attention and suggestions from readers, so we’re following it up today wit...
Welcome to Cult Corner where we dive through the bargain bins to determine if a movie is trash or treasure. Today’s pick… Paul Matthews’ Breeders. Breeders begins with some of the wo...
[soliloquy id=”16989″] When Hammer, legendary film studio and proponents of the great Christopher Lee as Dracula, first announced plans to adapt popular stage show The Woman In Black (itse...
Welcome to Cult Corner where we dive through the bargain bins to determine if a movie is trash or treasure. Today’s pick… Kate Robbins’ Candy Stripers. Candy Stripers begins with a b...