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Darlin'

Darlin’ Goes For the Throat [Blu-Ray Review]

Writer-director-star Pollyanna McIntosh’s blunt – and yet multi-edged – object of a film is a guttural, and delightfully weird follow-up to Lucky McKee’s The Woman. Darlin&...

Clownado is an Unnatural Disaster [Review]

It isn’t the only clown horror hitting this week, but Part II is almost assuredly going to be the better one. Clownado comes to video on demand 9/3 and DVD 9/17. It tells the story of Ron (John...

Satanic Panic [Frightfest 2019 Review]

Satanic Panic is a movie made up of so many disparate elements that it shouldn’t work nearly as well as it does. And yet, I completely, 100 percent loved it from beginning to end. Introduced at ...

Haunt [Frightfest 2019 Review]

Haunt isn’t the most obvious follow-up to the genre-redefining A Quiet Place, and yet the writers of that rather brilliant film have chosen it as, technically, their next project. Okay, so, in r...

The Dark Crystal: Age of Resistance is a Welcome Return to Form [Review]

In another world. In another time. In the age of Wonder. Well, 1982 to be precise. The Dark Crystal revealed to us the world of Thra. Jim Henson’s cult classic introduced a younger generation to...

The Most Assassinated Woman in the World Movie Still

The Most Assassinated Woman In The World [Frightfest 2018 Review]

Horror has long been obsessed with Grand Guignol, but the fascination with the infamous French theatrical experience has yet to be the setting for a straight genre movie. Step up, The Most Assassinate...

The masked killer (Lee Main) in Jack Messitt's 2008 slasher Midnight Movie.

Midnight Movie is Tragically Flawed [Retrospective]

Midnight Movie follows the employees and patrons of a rundown theater on the night the cinema is screening Ted Radford’s The Dark Beneath. Though it was never a major hit, The Dark Beneath is t...

Rob Zombie’s Halloween II is Way Better Than You Remember

I always have a problem trying to understand the automatic resistance so often accompanying a remake. Let alone a follow-up to a remake such as Rob Zombie’s Halloween II (which is celebrati...

Come to Daddy

Come to Daddy [Frightfest 2019 Review]

Come to Daddy is the directorial debut of one Ant Timpson, the super-producer behind some of the coolest horror movies of the last few years, including The Greasy Strangler, Housebound, and Turbo Kid....