John McPhail never really envisioned himself as a horror director, given his most successful feature prior to the barnstorming Anna and the Apocalypse was micro-budget rom-com Where Do We Go From Here...
Henry Darrow McComas may not be a name you’ve heard before, but the prolific producer, director, editor, and writer has been working away steadily in the background for years on projects vast an...
Joseph Kahn isn’t exactly what one might call a prolific filmmaker, with just three three films to his name to date. Of those, the hilariously unhinged slasher Detention is, clearly, of most int...
Mark Benton will be a familiar face to British readers, having enjoyed a varied and successful television career on that side of the pond for many years, appearing in the likes of Midsomer Murders, Th...
British filmmaker Matthew Holness cut his teeth as the creator, writer, and eponymous star of cult dark comedy show Garth Marenghi’s Darkplace. When discussing his debut feature, Possum, at Frig...
Black Site is described on IMDb as “80’s inspired John Carpenteresque Action (sic),” in a paragraph confidently attributed to its writer-director, Tom Paton. Considering The Void is ...
Anna and the Apocalypse is one of those rare treats; a horror movie that’s heart-warming and gory in equal measure. There’s been a recent resurgence in the Christmas horror sub-genre, with...
Crystal Eyes is a giallo movie set in Buenos Aires with dialogue entirely in Spanish, as befits that part of the world. It immediately goes against everything we know about giallo movies, and yet the ...
How would you define a cult movie? Is it something like The Rocky Horror Picture Show, which found legions of fans thanks to years of playing as a midnight movie in the grungiest theatre in NYC? Or ma...