On paper, Prisoners of the Ghostland seems like the kind of wild movie destined for cult status. Sion Sono’s latest encompasses elements of western and samurai movies with a heavy dose of dysto...
Climax sees the return of cinema’s greatest self-proclaimed enfant terrible, Gaspar Noé, following the oddly un-sexy 3D extravaganza that was 2015’s Love. It’s his best reviewed...
So, The Mummy’s been out for a few weeks now, but I think it still warrants discussion. Usually, I’m one to try and defend something, even if it doesn’t gain much critical praise,...