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Joey’s Top 10 Horror Movies of 2022

If you’re a horror fan, then every year is a good year for the genre. But 2022 was especially impressive. From blockbusters to indies, bombastic sequels to quiet curios, expressive adaptations, and ev...

Aaron B. Koontz Is Confident Horror Fans Will Appreciate Scare Package II: Rad Chad’s Revenge [Interview]

Nobody expected Scare Package to be as much of a hit as it was – not least co-creator Aaron B. Koontz who, alongside collaborator Cameron Burns, re-energized the horror anthology in a time when many o...

Scare Package II: Rad Chad’s Revenge is a Riotously Funny Take on Horror Sequels [Review]

2019’s Scare Package was a fabulously gory and hilariously funny revelation from creative duo Aaron B. Koontz and Cameron Burns that made V/H/S look like the pretentious waffle it is while further emp...

Raven’s Hollow is a Fittingly Chilly Autumnal Horror Story [Review]

The celebrated works of Edgar Allan Poe have long proved fertile ground for horror movies, from The Raven to Sleepy Hollow. But Raven’s Hollow employs a different tack by featuring Poe as a character ...

Glorious Lives Up to Its Delightfully Deranged Premise [Review]

The premise of Glorious lends itself well to one of those delectable one-line synopses: A man is trapped in a bathroom with an otherworldly being communicating with him through a glory-hole. That the ...

The Reef: Stalked is Surprisingly Effective Sharksploitation [Review]

The Reef: Stalked – ostensibly an incredibly late sequel to 2010’s The Reef, but not really – has the wildest opening of any sharksploitation movie, maybe ever. I don’t say that lightly; it’s truly in...

Rose Williams in The Power

Corinna Faith’s The Power is a Stirringly Meditative Ghost Story [Review]

Corinna Faith’s The Power is, on its surface, the kind of rickety old ghost story we’ve seen a million times over. Figures lurk in the darkness and frequently grab at the long-suffering protagonist, w...

Slaxx Boasts One Seriously Killer Pair of Pants [Review]

Oftentimes, with horror movies, a goofy premise works better on paper than it does in practice. You only have to look to the recent Aquaslash – a film about a killer waterslide – for evidence that a g...