A family finds an old camera and a series of videotapes in their new home. The tapes show bizarre and frightening acts and the camera evidently has the ability to detect the entities lurking all aroun...
Aside from eschewing the usual found footage format usually utilised by those pushing an exorcism-themed flick upon us, The Vatican Tapes seems, on paper, like yet another exercise in extreme boredom/...
The Gallows follows a group of high school students staging the revival of the titular play. The only problem is that the last time their school put on a production of The Gallows, one of the students...
The ’90s was an interesting decade for horror. It stumbled a bit in the first half and became insanely commercial in the second half. Each end of the spectrum was covered with very little in bet...
Wicked Horror ran a review of Unfriended on opening weekend (original review) and rated the film fairly negatively. But back with a second opinion is Joey Keogh, who will make a case for why she thin...
In this monthly series, a Wicked Horror writer presents an unpopular opinion about a particular genre offering and asks the oft-repeated question, “Is it just me?” In this installment, Joey Keogh...
Found footage might be all the rage right now, but that doesn’t mean that it’s new. Most trends in horror aren’t. The genre just moves in cycles. The concept of a film shot in a POV style, maintaining...
Directed by Dan T. Hall, Asylum: The Lost Footage, isn’t sure what type of movie it is. It has schizophrenic tendencies–switching from documentary-style interviews to found footage to normal nar...
Directed by Adam Robitel, The Taking of Deborah Logan (also known as The Taking), is a possession movie with a twist. Ph.D. student Mia Medina (Michelle Ang- Big Mommas: Like Father, Like Son) is maki...