As a fan of Irish film, I jumped at the chance to view Writer/Director Niall Owens’ Gateway, hoping to discover another hidden gem of the genre. Unfortunately, this one is a bit underwhelming, ...
The Reef: Stalked – ostensibly an incredibly late sequel to 2010’s The Reef, but not really – has the wildest opening of any sharksploitation movie, maybe ever. I don’t say...
Vampires films are everywhere. They often make their way out of the genre and have (as of late) infected comedy, teen romance and just about everything else. But vampire movies are a staple of the hor...
Resurrection seems like a clichéd title for a horror movie, particularly in the year of our dark lord 2022. It’s fitting, then, that the sophomore feature from writer-director Andrew Seman...
There’s somewhat of a fascination with Kiwi horror films thanks to Peter Jackson. He gave us two of his home country’s most bizarre, amazing horrors in Braindead and Bad Taste ...
Stuart Gordon’s Re-Animator is, easily, one of the best horror comedies of the 1980s. A worthy follow-up to that seemed nearly impossible, in part because the movie is so great and in...
There are a lot of horrible horror movies out there. Anyone who’s just decided to watch a random movie on Netflix knows that. Some of them are truly unwatchable. And sometimes it can be to...
I have to admit, while I’ve long been familiar with Basket Case, having always seen it in the video store growing up, I didn’t actually watch it until very adulthood. And when I fina...
In the run up to the release of The Black Phone, the latest from Blumhouse and Sinister duo Scott Derrickson and C. Robert Cargill, their returning star Ethan Hawke waxed lyrical about how difficult i...