I’ve heard two fundamental schools of thought about what a cover song should do. In one, a song is radically transformed. Think of the way Johnny Cash transformed Nine-Inch Nails’s ...
The Man Who Killed Hitler and then The Bigfoot is not worthy of its epic title, let’s just get that out of the way. It may star Great American Hero Sam Elliott and yes, a version of him does fig...
Piercing is a title that suggests all manner of stabbings and such, as opposed to an actual piercing. But this, the sophomore feature from The Eyes Of My Mother director Nicholas Pesce, features ...
Some movies instantly connect. Some movies work their way into your rotation before the first viewing has even concluded (personal examples include but aren’t limited to; Green Room, Tragedy Gir...
Welcome to Back to the ’80s. This recurring feature aims to take a look at the good, the bad, and the ugly from horror’s most beloved decade. Regardless of which category a particul...
Creature feature fans will know that, more often than not, the promise of a brand new film to drool over is tinged with the anxiety of knowing it’s probably going to turn out to be a load of CGI...
Incident In A Ghostland‘s title card utilizes a font not seen since the National Treasure franchise. Its tagline, “True evil never dies,” and accompanying marketing material seem to ...
Braid, the debut feature from writer-director Mitzi Peirone, is a difficult film to describe. IMDb has a go, but somehow manages to confuse the issue further: Two wanted women decide to rob their weal...
People who don’t like modern horror movies frequently point to the jump scares. I’ve defended them in other reviews (here, here, and here), because they’re not the problem. Jumpsc...