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Hell House LLC

DVD Review: Hell House LLC Director’s Cut

Hell House LLC sees a documentary film crew attempting to piece together what went wrong at a haunted attraction in upstate New York where a tragic series of events led to the deaths of...

Review: Haunters: The Art Of The Scare Is A Must-Watch

Haunted attractions are big business, raking in an estimated $8.4 billion in 2016 alone. Haunters: The Art Of The Scare, a wonderful little documentary from newcomer Jon Schnitzer, takes an inside loo...

Frightfest 2017 Review: Incontrol

Have you ever considered what it would be like to be somebody else for a day? Incontrol sees a group of college students do exactly that after creating a device that allows them to go into the mind, a...

47 Meters Down

Blu-Ray Review: 47 Meters Down is Fast-Paced and Suspenseful

Sisters Lisa and Kate are vacationing in Mexico when they are presented with the opportunity to cage dive with sharks. The experience starts out great but faulty equipment leads to a series of ha...

Frightfest 2017 Review: Still/Born

There were two big pregnancy-related movies at this year’s Frightfest. And, of the two, Still/Born is probably the more acceptable (the Inside remake isn’t bad per se, it just has no real ...

Frightfest 2017 Review: Inside

Pregnancy has been big in horror as far back as Rosemary’s Baby, Polanski’s seminal 1968 classic that has yet to be equalled, let alone bettered. Ten years ago, French film-making duo Alex...

Frightfest 2017 Review: Dead Shack

Canadian horror is fast becoming the safest bet around, thanks to the likes of Wolfcop and Curtain, just two standout offerings from the Great White North that more than showcase what the region can d...

Frightfest 2017 Review: Game Of Death

In anticipation of this Christmas’s Jumanji sequel, Welcome To The Jungle, and following closely in the footsteps of last year’s brilliant Beyond The Gates comes Game Of Death, a very lite...

Frightfest 2017 Review: 3rd Night

3rd Night immediately gets my hackles up because the title should be Third Night. Bad, bad grammar. How and ever, the debut feature from British-born, Australia-based writer-director Adam Gravely has ...