David Cronenberg’s The Brood is not only one of his best movies, it’s one of his most personal. It might not seem like it at first. But the film is about a woman who subconsciously creates monsters in...
Transformations have been an incredibly relevant part of horror films, dating back to the very beginning. Stories of humans transforming into animals and otherworldly beings go back as far as there ar...
A Banquet ‘s Holly (Sienna Guillory) is a woman on the brink. Still reeling from the suicide of her terminally ill husband, she’s grief ridden and shellshocked. She valiantly struggles wit...
Larry Cohen is a filmmaker who just does not get the credit he deserves. His pictures are all too often labeled as B-Movies. But while they may be campy, it’s a very intentional camp. He has a unique ...
When prophecies spoke of a timeless hero, they were probably alluding to someone with a tad more integrity and someone less fond of dick jokes than Ash Williams. In a war against ancient evil, however...
The notion of following up Alex Garland’s landmark of sci-fi cinema, Ex Machina, is unquestionably daunting. Though his directorial meddle wasn’t tested until 2015, Garland’s screenwriting career soli...
David Cronenberg is undeniably the master of body horror, so much that the sub-genre has become synonymous with his name, even if he hasn’t directed a movie of this type in years. He will always be th...
Body horror is as endlessly fascinating as it is uncomfortable. When we think of body horror, we tend to think of movies about the body breaking down and becoming something else, being transformed by ...
We all know the old saying. “One man’s trash is another man’s treasure.” It bears repeating because Street Trash is certainly not a treasure for everyone. In some ways it doesn’t really feel like it’s...