House of 1000 Corpses and The Lords of Salem were released in the same month ten years apart. They couldn’t be more different in theme, execution, look, and tone, with Corpses imbued with a bra...
There are so many shark movies being released of late that it’s almost impossible for one to differentiate itself, so credit to The Black Demon for putting a spin on an overdone concept by incl...
Sick of Myself, aka Sik Pike, the sophomore effort from Norwegian writer-director Kristoffer Borgli, takes a sledgehammer to the so-called attention economy. Rather than dealing with an obsessively on...
Reality is often far more frightening than fiction. Every day there are examples of people slipping into insanity or committing horrific murders. The following list is comprised of documentaries focus...
Following hot on the heels of 5-Cream is M3GAN, the latest bizarro offering from Malignant and Hell Fest co-writer Akela Cooper. Unlike those movies, however, this sci-fi shocker is rated PG-13 (15A i...
True crime is all the rage right now, from “My Favorite Murder” to Only Murders in the Building, so it makes complete sense that intrepid podcasters and lifelong best buds Chad (Andrew M...
Rob Zombie’s Halloween (2007) remains one of the most widely, and viciously, despised remakes of all time – despite how The Thing (2011) threw out its finely-tuned practical effects in f...
Indie filmmaker Perry Blackshear is gradually carving out a niche for himself as a purveyor of thoughtful, strange, and often deeply unsettling horror movies following the release of They Look Like Pe...
In the run up to the release of The Black Phone, the latest from Blumhouse and Sinister duo Scott Derrickson and C. Robert Cargill, their returning star Ethan Hawke waxed lyrical about how difficult i...