With a title like Killer Kites, you know exactly what you’re in for–especially if you’ve seen the delightfully unhinged trailer. This is the kind of wacky, no-holds-barred, zero-budget horror movie th...
The 1980s, among many other distinctions, was the golden age of horror comedies. There had been great films combining horror and humor dating back at least to Abbott & Costello Meet Frankenstein a...
House of 1000 Corpses and The Lords of Salem were released in the same month ten years apart. They couldn’t be more different in theme, execution, look, and tone, with Corpses imbued with a brash zani...
There are so many shark movies being released of late that it’s almost impossible for one to differentiate itself, so credit to The Black Demon for putting a spin on an overdone concept by including s...
One of the most obvious parts of the film-going experience is the presentation of images given to the audience. Many components contribute to the scare factor in a horror film. Elements like sound, ac...
Sick of Myself, aka Sik Pike, the sophomore effort from Norwegian writer-director Kristoffer Borgli, takes a sledgehammer to the so-called attention economy. Rather than dealing with an obsessively on...
With his sophomore feature The Unheard, filmmaker Jeffery A. Brown cements himself as a promising directorial voice in the indie horror world. The contemplative horror follows a young deaf woman named...
With his latest movie, Malum, indie filmmaker Anthony DiBlasi returns to the world he first established in 2014’s fan favorite shocker Last Shift. This time around, DiBlasi has a larger scope, which g...
A filmmaker deciding to reboot their own movie less than a decade after it originally came out is an unorthodox idea, to say the very least. But Anthony DiBlasi has never played by the rules, with his...