Philip Gelatt and Morgan Galen King’s The Spine Of Night is a throwback to a particular vein of fantasy fueled adult animation that had only the briefest of mainstream moments before becoming a ...
Alien On Stage follows the amateur theater group Paranoid Dramatics as they attempt to adapt Ridley Scott’s 1979 classic to the community theater stage. By day, the players are an unassuming gro...
The Feast opens with an unexplained death on a mining site, then cuts to the severity of a Modernist vacation home in rural Wales. The drilling site is hazy, dirty work, while the spotless home is the...
Paul Dood is not a great stage name for a U.S. audience, or really any audience to be fair. And yet schlubby momma’s boy Paul (Tom Meeten) is convinced he has what it takes to make it big. The ...
Sound of Violence is an interesting companion piece to Sound of Metal, the Riz Ahmed-starring, Oscar-nominated drama about a drummer who suddenly loses his hearing, and not simply because the two movi...
There’s a certain kind of solitude that cuts unusually deep, isolation that can slice right through the middle of a crowd. Broadcast Signal Intrusion is set in late 90s Chicago, but direct...
While the term “folk horror” is relatively new, the imagery and concepts are familiar to most horror fans. Isolated communities and dark secrets. Ancient rites and forgotten incantations w...
Offseason is undoubtedly un film de Mickey Keating, which will either fill you with excitement or dread. Opening with the great Melora Walters (give her more work!) delivering a monologue to camera be...
Witch Hunt, the sophomore feature from writer-director Elle Callahan (Head Count), opens with two definitions of its title. The first is the traditional one, while the second considers how the term ha...