The Rabid Dog’s House is a recurring feature at Wicked Horror where contributor Justin Steele uncovers hidden gems, lost classics, and overlooked indie offerings. Flying solo or with the occasional gu...
Shudder’s Creepshow is a welcome companion to the two the two Creepshow feature films brought to us by George Romero and Stephen King (the less said about the rightfully maligned third film inst...
Issa López’s Tigers Are Not Afraid opens with a shocking set of juxtapositions. White text on a black background tells audiences that, “Since the beginning of the drug war in 2006, 160,000 have been k...
Take a journey back in time with Danny Wolf, director of the documentary series, Time Warp: The Greatest Cult Films of All-Time. It is a three volume deep dive into some of the greatest movies of all ...
You know that sensation that washes over you when you discover a really good movie? Your heart races, you find yourself grinning like an idiot, you feel the need to tell everyone available about your ...
Dan Bush’s The Dark Red doesn’t have a flashy, big name cast. But that doesn’t stop it from being a delightful and smartly-realized thriller. The flick succeeds as well as it does, i...
The Rabid Dog’s House is a recurring feature at Wicked Horror where contributor Justin Steele uncovers hidden gems, lost classics, and overlooked indie offerings. Flying solo or with the occasional gu...
The ending of George A. Romero’s Night of the Living Dead is iconic. Ben, as brilliantly played by Duane Jones, goes to the window while an all-white militia is sweeping toward the farmhouse, head-sho...
When I sat down to watch Come to Daddy, I almost immediately gathered that it was going to be tonally diverse. It opens with a quote from Shakespeare, followed immediately by a quote from Beyoncé. And...