Creature feature fans will know that, more often than not, the promise of a brand new film to drool over is tinged with the anxiety of knowing it’s probably going to turn out to be a load of CGI...
Incident In A Ghostland‘s title card utilizes a font not seen since the National Treasure franchise. Its tagline, “True evil never dies,” and accompanying marketing material seem to ...
Braid, the debut feature from writer-director Mitzi Peirone, is a difficult film to describe. IMDb has a go, but somehow manages to confuse the issue further: Two wanted women decide to rob their weal...
People who don’t like modern horror movies frequently point to the jump scares. I’ve defended them in other reviews (here, here, and here), because they’re not the problem. Jumpsc...
Horror and punk rock should be better bedfellows. For whatever reason, metal tends to copulate with our beloved genre more often than its angrier, rougher cousin. Only Green Room (read our review) ...
Trench 11 is a film of meat and potatoes in several respects. Visually, it consists mostly of a group of men shining dim yellow lights onto the dusty walls of underground tunnels. Claustrophobic, but ...
After relocating, brothers Dane and Lucas discover a bottomless pit in the basement of their new home. The endless cavern knows their worst fears and uses them to torment the boys. While Lucas and Dan...
Two of my all-time favorite movies both come from the late 1970s and, coincidentally, were directed by guys named George: Dawn of the Dead and Slap Shot. So when I first heard about Ahockalypse, I was...
When it comes to sharksploitation, nothing can touch Jaws, not even its own sequels, the lamest of which (Jaws 3D) is sort of referenced in The Meg. A massive summer blockbuster starring Jason Statham...