Rob Jabbaz’s The Sadness absolutely earned the trigger warnings that accompanied its screenings at Fantasia Fest 2021. Those who do not wish to contemplate copious gore, cannibalism, sexual abus...
Ultrasound is unafraid to introduce the abstract and off kilter within its first few frames. A wash of inky blue and jet black is shot in wide angle, only recognizable as a car driving down a mou...
With a title like Martyrs Lane, you might be expecting something relentlessly gory, but Ruth Platt’s third feature doesn’t actually take place in the eponymous spot. Rather, it’s ...
Blood Conscious gets off to a great start with a retro feel to the opening credits and score. These aspects along with the opening scene drew me in as a viewer, and there were several other factors th...
Internet horror continues to be big business, but for every Unfriended or The Den, there’s a Friend Request. Russian offering #Blue_Whale lands somewhere in between the two. Not convincingly cr...
Deaf protagonists are a curiously untapped market in horror. The best example of their use is arguably in Mike Flanagan’s Hush, which sees a masked killer descend upon a home occupied by a deaf...
All The Moons/Ilargi Guztiak immediately thrusts the audience into the middle of a crisis. Late in 1876, the Third Carlist war’s last gasps are being fought in the Basque region of Spain. The te...
The Friday the 13th series is by far one of the most celebrated horror franchises. I think it is fair to say that most of our readers here at Wicked Horror have seen our favorite hockey mask wearing m...
Don’t Say Its Name opens on one of horror’s most classic settings, an isolated country road on a dark and snow-stormy night. A young woman walks alone, trying to call her mother to come pi...