It’s been a while since we were gifted a decent werewolf movie (though I will defend Wolfcop and its brilliant sequel, Another Wolfcop, until the day I die) but, at this year’s Celebrati...
Chad Faust’s Girl carries with it a certain amount of baggage because its leads are tabloid favorites Bella Thorne and Mickey Rourke. Although the two performers come from vastly differen...
Welcome to Back to the ’80s. This recurring feature aims to take a look at the good, the bad, and the ugly from horror’s most beloved decade. Regardless of which category a particul...
There’s an amazingly gross practical effect about 20 seconds into Possessor, which bodes well for what’s to come. Created by the spawn of Cronenberg, the film is certainly Cronenbergian ...
There’s something very interesting about The Curse of Audrey Earnshaw. From its The Witch meets The Village setup (Not a spoiler, we’re immediately told that the entire village in the fi...
The Art of Pulp Horror is a beautiful book, collecting the art of horror and contextualizing it with a series of essays. It’s also an important book, demonstrating that as editor extraordinaire...
Spontaneous has notions of being this year’s Happy Death Day, with its caustic sense of humor and anti-heroine lead, but lands somewhere closer to Me and Earl and the Dying Girl only with consi...
12 Hour Shift is the sophomore feature from one Brea Grant, who horror fans will be intimately familiar with as an actor in the likes of Dexter, Beyond the Gates, After Midnight, the recent Lucky, whi...
South Korean flick Me and Me is a tough movie to categorize. IMDb describes it as both a mystery and a drama but, in reality, Jin-young Jung’s film has elements of body swap comedy, paranormal ...