Dreamland is the latest offering from beloved Canadian director Bruce McDonald, of fan favorite Pontypool and, more recently, the delightfully festive yet divisive Hellions, fame. The movie’s s...
With Becky, comedic actor Kevin James seeks to follow in the footsteps of his long-time chum Adam Sandler by proving he, too, can do dark, difficult, and deep. As the gnarly trailer for the movie sugg...
Shudder’s Creepshow is a welcome companion to the two the two Creepshow feature films brought to us by George Romero and Stephen King (the less said about the rightfully mali...
The Butcher of Paris #5 “Beating Chance” closes out the series with a whimper. Writer Stephanie Phillips and artist Dean Kotz have great intentions. They’re putting a much needed ...
Randy Meeks says, “Sequels suck” in Scream 2, which is ironically a good sequel. He sparks a debate in his film class with the students trying to come up with examples of good second ent...
The Dead Lands has a brilliant premise. Waka (Te Kohe Tuhaka) is a Māori warrior, notorious for his ruthlessness. He’s lived a life without honor but has conquered much of the lands surro...
Zoé Wittock’s Jumbo is a movie that defies any easy characterization, and is at alternating turns an outsider coming of age narrative, a family melodrama, and a visually lush tale of first ...
In lieu of the world crumbling into a glorified dumpster fire, it’s hard to not be scared. Look, we are in the middle of a pandemic, there is no getting around that. You can’t turn on your...
In the scene that best captures the essence of Brazilian slasher film Skull: The Mask, a monster (Rurik Jr.) stalks toward a priest (Ricardo Gelli). The priest backs toward a crucifix. He takes Christ...