The Man Who Killed Hitler and then The Bigfoot is not worthy of its epic title, let’s just get that out of the way. It may star Great American Hero Sam Elliott and yes, a version of him does fig...
Piercing is a title that suggests all manner of stabbings and such, as opposed to an actual piercing. But this, the sophomore feature from The Eyes Of My Mother director Nicholas Pesce, features ...
Some movies instantly connect. Some movies work their way into your rotation before the first viewing has even concluded (personal examples include but aren’t limited to; Green Room, Tragedy Gir...
Dead Night tells the story of a mother and her family trekking to the Oregon wilderness as a last ditch effort to treat her husband’s cancer through new age healing methods. Rather than the...
“Chekhov’s gun” is a storytelling rules: If a writer introduces a gun in the first act, it’s going to go off in the second. She Could Fly has skirted around violence while ...
Found Footage 3D follows a group of friends setting out to make the first found footage horror film in 3D. Naturally, the aspiring filmmakers throw caution to the wind and elect to shoot their flick i...
Following the lively, train-set werewolf movie Howl, comes another H-word flick from British filmmaker Paul Hyett in the form of Heretiks. Bravely, in a year that’s set to give us the hugely ant...
Upgrade is the sophomore feature from Aussie writer-director Leigh Whannell following 2015’s Insidious: Chapter 3, the best sequel in a franchise of increasingly diminishing returns (the less sa...
We all remember playing truth or dare in our awkward teenage years. Sweating uncontrollably when it was your turn. You were reluctant to pick dare because you were at the mercy of whatever twiste...