All Movie Reviews
Why The Descent Still Scares Us Over Ten Years Later
In 2001, Scottish director Neil Marshall released Dog Soldiers, a much needed film that breathed fresh life into the werewolf sub-genre. While it had its U.S. premiere on the Sci-Fi (now SyFy) Channel...
Advance Review: Green Room Is The First Great Horror Movie Of 2016
I have a difficult relationship with punk rock; love the music, hate the insufferable elitists so often involved with it. A group of some such loathsome types are the focal point of Green Room, Jeremy...
Nekromantik: Grimy and Gross or Surprisingly Sincere?
The ‘70s and ‘80s were a time when horror was focused heavily on pushing boundaries, especially in the foreign market. Films like Cannibal Holocaust, Cannibal Ferox, Salome and most of t...
Review: JeruZalem Is A Thrilling ‘Americans Abroad’ Horror Movie
That big ‘Z’ in Jeruzalem is worrisome. A zombie movie set in the holy city? Prepare your Zombie Jesus jokes (if, indeed, there are any left that haven’t been done to death–no ...
Angst is a Hidden Gem of Banned Cinema
For me, the most unsettling films are those that subject you to the mind of a killer and force you to follow their every move, almost as though you are an accomplice to their crimes. I first heard of ...
Cult Corner: Hell Comes to Frogtown
Welcome to Cult Corner where we dive through the bargain bins to determine if a movie is trash or treasure. Today’s pick… Donald G Jackson’s Hell Comes to Frogtown. In a post apocal...
Advance Review: The Invitation is a Surprisingly Moving Take on Loss
The presence of certain people in a movie portends doom. In the 1990s, if Leland Orser was in your movie, bad things were going to happen. From Seven to Alien: Resurrection to The Bone Collector (amon...
Cult Corner: By the Devil’s Hands
Welcome to Cult Corner where we dive through the bargain bins to determine if a movie is trash or treasure. Today’s pick… Christopher Abram’s By the Devil’s Hands: the 666 Ki...
Why The Nightmare on Elm Street Remake is Unfairly Hated
There are a handful of sacred cows in the horror industry. From Jason Voorhes to Michael Myers to Leatherface to Pinhead. Arguably, though, none of those icons ever reached the pop culture status...