I’ve been a fan of Adam Wingard since I first saw A Horrible Way to Die. I had no idea what to expect from that film, but the character work really impressed me. The buzz for You’re Next had me really excited and the movie did not disappoint me when I finally saw it. But The Guest blew me away. It feels like something so catered to my interests, it’s everything I want from the movie-going experience distilled into one feature. It shows such an evolution for Wingard as a filmmaker.
There are so many directors out there right now trying to do horror & genre movies that feel like the films they grew up with from the ‘80s. Many are trying to recapture the style of favorite creators like John Carpenter or David Cronenberg. That’s dangerous territory. You want to take influences from your favorite directors, but you don’t want to copy them. That’s where too many up-and-coming modern filmmakers fail.
Seeing all of the throwbacks to the 1980s and the clear inspiration from Carpenter and Cameron only goes to clearly show how Wingard has developed his own style as a director. It’s a throwback movie, to be sure. But it’s still entirely his and that’s where so many other filmmakers tend to fail when attempting to do a picture like this.
The neon color palate, the lingering sense of dread, the decision to set the whole film against the backdrop of Halloween in the Midwest, all of these things are the perfect flourishes for an ‘80s horror movie. The brilliance of The Guest is that while it embraces all of these elements, it’s not even technically a horror movie. There are creepy aspects, for sure, but there are heavy thriller and outright action movie elements as well.
In movies like this, you need to go forward and backward at the same time. That’s how to actually craft a solid throwback in 2016. That’s the thing that up-and-coming filmmakers need to take away from The Guest. Make all the call backs and references that you want, but earn them by being true to yourself. Know your style and the kind of movie you want to make.
The deliberate sense of pacing, the way the movie unfolds without spoon feeding anything, that’s what makes The Guest work more than the colors and sounds, especially when so many things coming out right now have so much unnecessary exposition forced into them. The Guest doesn’t explain itself right away. It doesn’t even explain everything. The movie unravels an interesting plot, but at the same time, it leaves you with some questions. Some things are left open to interpretation. That way it’s all but ensured that you’ll still be thinking about the feature for a few days after watching it.
If more directors head in that direction, if more up and coming creators are able to achieve that kind of balance, then I honestly think the genre’s future looks very bright.