Wicked Horror sat down to chat with horror legend Sid Haig about his upcoming film Bone Tomahawk. The movie is a horror western with an impressive cast, including Kurt Russell, Patrick Wilson, Matthew Fox and Richard Jenkins. Itâs one that fans have been waiting to see for some time. Haig himself is a legend within the genre. Heâs been acting since the 60âs, has worked with directors from Jack Hill, to George Lucas to Quentin Tarantino and Rob Zombie. We talked about everything from his work in the movie, why the western is coming back, why he left acting and what got him back into it.Â
We talked first about what piqued his interest in the project in particular. âWell, I read the script,â he said. âAnd it was a great script, with a great director and a really great cast involved.â
The cast, along with the locations, give the feeling of a big budget Western, even though the film cost quite a bit less than the likes of recent hits like True Grit and Django Unchained. For quite some time in Hollywood, the Western was perceived to be dead, but with the help of filmmakers like Tarantino, the Coen Brothers and now S. Craig Zahler, itâs alive and kicking. On why the Western went away, Haig notes, âThey were very expensive to make⊠those locations and those horses, they all cost money,â but notes that part of the way to avoid those problems is to think around those costs. âIf you notice, this movie, we only have four horses through the entire thing.â
Haig shares most of his screen time with another well known genre actor, David Arquette. They have an interesting dynamic, and it almost makes it seem like they really developed their characters together, but Haig says that was not the case. âNope,â he says, insisting that with the schedule and the money, there simply wasnât time. âBut heâs like me, heâs a very instinctual actor.âHaig had left the industry in 1992, feeling that he was simply getting nothing but TV work where he would play the same kind of character over and over, something he was no longer interested in doing. He was offered the chance to return for Pulp Fiction, but noted that on paper, it looked like the same kind of work that led him to leave the industry in the first place. âIt was four locations in one day,â Haig says. âAnd nobody told me that Quentin just shoots until he gets what he wants. Nobody told me that.â So he turned down the role of Marcellus Wallace, which eventually went to Ving Rhames.
Yet it was also Tarantino that got him back into acting in 1997 with Jackie Brown. âHow he got my home phone number, to this day I do not know, but I guess when youâre Quentin Tarantino youâre like the CIA,â Haig laughs and adds, âHe said, âIâve got this part, I wrote it for you, and youâre going to do it and thatâs it.ââ
On Jackie Brown, he was reunited with his 70âs costar Pam Grier, who he says âHad no idea I was going to be in the movie. And there I am, the judge, just the guy in the black dress and she sees me and goes âSid!ââ He notes that his role in Jackie Brown âwasnât the largest partâ but that âit was funâ and got him back into the acting realm.
Directly after Jackie Brown, Haig went on to do House of 1,000 Corpses which was filmed in 1999 but not released until 2003. The role of Captain Spaulding won Haig acclaim from fans and critics alike and also gained him a new legion of fans that he hadnât seen in all his time in the industry. âIt took me by surprise,â he says, but notes that the character has really seemed to resonate with people, even over a decade after the filmâs release. âPeople come up to me and they tell me that Spaulding is someone that they can kind of wish they could be,â adding, âother than the killing, of course. Heâs just someone who does not give a f**k about what anybody thinks.â Haig also notes that âIn that first movie, heâs really just defending himself. These guys come in, they try to rob himâ and that Spaulding is just taking care of himself defending his territory.
Given that Haig has met with Alfred Hitchcock, worked with directors like Jack Hill, Tarantino and so many others, it really raises the bar pretty high as to the caliber of people heâs worked with in this industry. So what impresses him in a director now? âA director who can also write a good script. Who knows what theyâre doing,â adding that a lot of directors, especially on the indie level, donât always have a game plan  and âare just flying by the seat of their pants.â Zahler, luckily, falls into the former category, as Haig notes he wrote âa really great scriptâ which was all it took for him to know he wanted to be a part of this project.
Bone Tomahawk opens in limited theatrical release on October 23rd.