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Comic Review: Negative Space #2

The second issue of Negative Space kicks off by answering all of our leftover questions from the first issue in order to quickly and effectively move the story forward. It works. The whole thing is no...

Cooties

Review: Cooties is Cliche-Ridden and Dull

“You know what would be cool? A movie about zombie kids! It would be awesome to watch the teachers just whaling on their students. And wouldn’t it be funny if the zombie plague star...

Advance Comic Review: Dead Vengeance

Dead Vengeance #1 is completely unlike anything I’ve seen in comics or horror in recent years. Bill Morrison’s name may be familiar to comic fans, thanks to his co-founding of Bo...

Bloodsucking Bastards [Review]

Who doesn’t enjoy an action-packed horror comedy with vampire, blood, gore and slackers? Bloodsucking Bastards is a brand new horror comedy taking place in a office building. The film focus...

The Editor is a Brilliant Giallo Throwback! [Review]

The Editor tells the story of a film editor named Rey who becomes embroiled in a complex murder mystery. The studio he is employed by is plagued with a rash of unexplained deaths a...

Advance Review: Pay the Ghost

Pay the Ghost takes place one year after a young boy disappears during a Halloween carnival. The boy’s father, Mike Lawford, is haunted by eerie images and terrifying messages he can’t e...

Frightfest 2015 Review: The Diabolical

Following hot on the heels of this year’s decent, but ultimately pointless, Poltergeist remake comes The Diabolical, a paranormal thriller in the same vein as that most famous of paranormal thri...

Buffy the Vampire Slayer

Comic Review: Buffy the Vampire Slayer #19

Fans and readers have been looking forward to this issue of Buffy the Vampire Slayer for a while now, eager to see what happens when Giles—who returned from death in the form of a child an...

Stung

Stung is Genuinely Frightening [Frightfest 2015 Review]

It’s been quite a while since we’ve had a decent (read: scary) creature feature, never mind one that isn’t reliant on Z-list celebrity cameos or purposefully terrible VFX to carry it...